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    <lastmod>2026-06-26</lastmod>
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      <image:caption>“Cut work” for Oscar De La Renta, produced in India by Marasim. India, 2020.</image:caption>
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      <image:caption>“Zari: The Lustrous Thread” gallery activation with textile artist Nikita Shah for the Met’s Research Out Loud program. New York, 2026. Photo by Filip Wolak</image:caption>
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      <image:caption>“Tradition Through Modernity” diorama. New Delhi, 2023</image:caption>
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      <image:caption>Breaking Free. With designer, and daughter of multi-generational artisans, Ertiqa Khan. New Delhi, 2023.</image:caption>
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      <image:caption>Commuter caste. Bicycles outside a garment factory. Noida, 2023.</image:caption>
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      <image:caption>Jury time at NIFT, for the “Metanoia” student showcase. New Delhi, 2023.</image:caption>
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      <image:caption>“Metanoia” fashion show in the courtyard at NIFT Delhi. New Delhi, 2023.</image:caption>
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      <image:caption>Learning Heritage. Sitting in on Goonjan Kumar’s second-year “Indian Patternmaking” class at NIFT. New Delhi, 2023.</image:caption>
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      <image:caption>Fashion design mood board with Gandhian nationalist imagery, displayed on Upam Dudhe’s iPad. New Delhi, 2023.</image:caption>
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      <image:caption>Ansari weaving workshop in Varanasi, Uttar Pradesh. Varanasi, 2023. Photo by Ihaab Syed.</image:caption>
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      <image:caption>Shooting behind-the-scenes for textile artist Nikita Shah. Mumbai 2023</image:caption>
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      <image:caption>On set with fashion stylists Pranaj Jaitly and Shounak Amonkar. Mumbai, 2023.</image:caption>
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      <image:caption>Epic tales on display at the at the National Crafts Museum. New Delhi, 2023.</image:caption>
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      <image:caption>Grihshobha [beauty of the home], one of India’s largest circulation fashion magazines. New Delhi, 2023.</image:caption>
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      <image:caption>A Virtual Wardrobe. Designs by NIFT student Harshit Kaushik. New Delhi, 2023.</image:caption>
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      <image:caption>Zari [metal thread] for embroidery close-up. New York, 2026. Photo by Filip Wolak.</image:caption>
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      <image:caption>“Non-Aligned Circulations” a public talk for the Met’s annual Research Out Loud program. New York, 2026. Photo by Margot Yale.</image:caption>
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      <image:caption>“Fashion Design as Humanitarian Design”A talk for the Conference on Humanitarian Design. Geneva, 2023.</image:caption>
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      <image:caption>With students of Bojana Cokylayt and my class on “Designing Access” at NIFT. New Delhi, 2023.</image:caption>
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      <image:caption>Bappaditya Biswas’ signture jamdani. Kolkata, 2020.</image:caption>
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      <image:caption>Swatching culture. Following “export house” workflows. Mumbai, 2020.</image:caption>
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      <image:caption>Ahilya Bai, patron saint of weavers. Screenshot from Making Maheshwari (In production. 40 min. —with Dhanya Kolathur, Ertiqa Khan, and Ihaab Syed.) Maheshwar, 2023.</image:caption>
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      <image:caption>Screenshot from Making Maheshwari (In production. 40 min. —with Dhanya Kolathur, Ertiqa Khan, and Ihaab Syed.) Maheshwar, 2023.</image:caption>
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      <image:caption>Shiv marking up embroidery lines. New Delhi, 2023.</image:caption>
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      <image:caption>Fashion’s ephemeral archives. Following “export house” workflows. New York, 2020.</image:caption>
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      <image:caption>Luxury Heritage. Art deco designs by Kshitij Jalori. New Delhi, 2023.</image:caption>
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      <image:caption>“These bodies are all firungi [foreign]” See my forcoming American Anthropologist article “Designing Embodied Citizenship” New Delhi, 2019.</image:caption>
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      <image:caption>Laurent “touches up” a portrait of Anjelina Jolie. Screenshot from Retouch (2022, 18 mins). New Jersey, 2022.</image:caption>
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      <image:caption>Juki sewing machines “at rest” at NIFT. New Delhi, 2023.</image:caption>
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      <image:caption>Group shot with the Met’s Education team, who supported our “Zari: The Lustrous Thread” gallery activation with textile artist Nikita Shah—part of the annual Research Out Loud program. New York, 2026.</image:caption>
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      <image:caption>“बैगी CLOTHES NOT पापा के KAPADEY” [BAGGY CLOTHES NOT DADDY’S CLOTHES]. Illustration by Santanu K. Mahalik, 2023, New Delhi. Reproduced with permission of the artist.</image:caption>
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      <image:caption>Markup annotations on a PDF image. Crosshatching indicates areas to darken, and the words “smooth,” “open” and “+y” signify desired retouching modifications. The words “pop eyes” are placed above and circled, indicating global adjustment preferences. Photo courtesy of Sophie Kietzmann and Liz Mooney at The PostCo, Brooklyn, 2021.</image:caption>
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